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This phenomenal and expansive collection of playing cards serves as an unusual and invaluable resource by which we can trace the history of transportation and the railroad industry, trends in travel and advertising, technological developments, cultural history, and even politics. While playing cards date back to antiquity, card games saw a surge in popularity in Europe during the 17th and 18th centuries. By the early 19th century, games such as poker were played on gambling riverboats on the Mississippi River. Playing cards occupy a unique place in history in that they are able to function as decorative objects, while also being objects of daily use and recreation. Their portable size made them well-suited to travel. Railroads and airlines produced decks of playing cards as complimentary items of entertainment for their passengers to use while aboard and to take with them as souvenirs of their trips.

 

Of the 700 or so decks in the collection, over a third are related to the railroad industry. Over fifty individual railroad lines are represented, both major and minor lines from across North America, including Northern Pacific, Southern Pacific, Union Pacific, Algoma Central, Atlantic Coast Line, Bangor/Aroostook, Burlington Northern, Burlington Vista Dome Zephyr, Southern Railway, Denver and Rio Grande Western, Illinois Central, Chesapeake and Ohio, Canadian Pacific, Kansas City Southern, L&N (Louisville & Nashville), Missouri Pacific, Ontario Northland, Norfolk and Western, Norfolk and Southern, Nickel Rate Road, Pennsylvania Railroad, B&O, Wabash, Soo Line, Santa Fe, Seaboard Coast Line, and others. Many of the decks have pictorial backs showcasing a landscape scene along the train line.

A handful, particularly some of the Southern Pacific cards, are also part of a small collection which showcase a different pictorial view on each card. Not all are produced by railroads, but the scenic cards in this group include views of “Picturesque Canada”, the Florida coast, the Great Southwest, the Golden West, the White Pass and Yukon, Niagara Falls, and scenes along the Denver and Rio Grande Western, Western Pacific, Intercolonial & Prince Edward Island, and Chicago, Milwaukee, St. Paul & Pacific railway lines.

The last third or so of the collection somewhat defies categorization. There are a number of standout decks from a wide variety of topics, publishers, and locations. Some of the more unusual decks and highlights include:

  • UK Registered Dieticians “Pack of Diets” deck featuring four different diet plans, one per suit, which a different full day’s menu per card
  • “Play House” children’s game with cards featuring rooms and household objects, not traditional suits and numbers
  • Double decks from Fournier of Spain, including “Medieval World”, “Traditional Russian”, and “Baraja Histórica”, regarding the Spanish ‘discovery’ and colonization of America
  • A deck with sites from the Former Imperial Palace of China
  • Famous Views of Hong Kong
  • A deck featuring World War I posters from the Imperial War Museum
  • Milton Bradley “Par Auction” deck
  • A collection of French historical and novelty decks featuring Napoleon, wines of France, French kings, Joan of Arc, and other historical figures
  • Two Braniff International decks with Spanish and Portuguese phrases
  • City of Hope Medical Center double deck featuring Hollywood caricatures
  • TWA Collector’s series featuring a different aircraft on each card
  • A Braille deck
  • Coca-Cola deck, circa 1970, featuring a print by Michael English
  • Two railroad double-decks featuring Native American figures, including one with a portrait of Chief Quanah, Last of the Comanches from the Quanah, Acme & Pacific Railway
  • Two “Extra Fine Rococo Style” Art Deco decks from the USSR, 1917
  • Vintage English Ovals Cigarettes Playing Cards, some decks still sealed
  • A number of Waddington’s “Beautiful Britain” scenic decks
  • Large double art decks from Piatnik, including “Baroque”, “Renaissance”, “Original Viennese”, and “Rococo”
  • A round-format deck from Honeywell Thermostats
  • “Gypsy Witch” fortune-telling deck
  • Edison Lamp Works/General Electric deck featuring artwork by Maxfield Parrish
  • Friends of the Tate Gallery art deck
  • Circa 1890s deck from the Cunard Steamship Company
  • Circa 1850s deck from the African Steamship Company
  • 1933 Century of Progress World’s Fair souvenir deck with views of the fair
  • Brother Electronic Office Typewriters deck from the 1984 Los Angeles Olympics
  • Sealed 1929 Wanamaker “Bubble” double deck
  • A deck from the Lahaina-Kaanapal & Pacific Railroad in Hawaii
  • A deck with backs featuring a photographic portrait of “Esiuol – An Eskimo Glamour Girl in Native Costume”
  • Two Russian decks with Cyrillic letters
  • 2004 John Kerry for President deck, each card featuring a caricature of a different politician or figure
  • “Newmarket” game deck, circa 1930s, featuring racehorses
  • 1901 Pan-American Exposition souvenir deck with views of the fair
  • “Old English Curve Cut Pipe Tobacco” deck in original box
  • Scenic deck with views from Cuba
  • Cotton Belt Route deck with a color illustration of a young Black girl eating watermelon

An incomparable historical and cultural resource and a fascinating collection of incredible scope. Collection of over 700 decks of playing cards, primarily American but also with examples from Europe and elsewhere in the world, published from the mid-19th through the early 21st century, most in original boxes and cases, many still sealed in original wrapping, some double decks in larger folding boxes. Varying condition – many excellent, a number of cases with expected wear and tear to cardboard, a handful of decks incomplete. Various places, circa 1845-2015. Price available upon inquiry

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Collection of 20 titles, ca. 50-300 pp. each. Paris / Geneva / Moscow, 1897-1973, offered with Inforespace. Cosmologie Phénomènes Spatiaux Primhistoire. Revue Bimestrielle. Nos. 1 (1972) – 67, 69 – 71, 73 & 75, incl. the “hors serie” December annuals nos. 1 (1977) – 8 (1984). Altogether 80 issues comprising a 17-year head-of-series run of the newsletter published by the Société Belge d’Étude des Phénomènes Spatiaux (SOBEPS). 8vo. Uniform silver wrpps. 1972 – 1988. (47653)

Photographic evidence of “OVNI” from the pages of Inforespace. Cosmologie Phénomènes Spatiaux Primhistoire.

When the Soviets launched Sputnik 1 into space on the 4th of October 1957, eyes all over the world were suddenly on the heavens.  This was no less true in Geneva, Paris, and Brussels than it was in Washington D.C. and San Diego.  The final frontier had finally been broached and popular imagination turned to the night sky with an intensified curiosity.

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Sally, Ted (drawings). Labor Day Sketch Book 1947. Los Angeles CIO Council. Unpaginated (ca. 32 pp.) presentation of proposed designs, drawn by Sally, for floats, banners, costumes, and other accoutrements for a union-oriented progressive Labor Day parade. Oblong large 4to. Orig. printed wrpps. Los Angeles (CIO Council) 1947. (47538)

In the spring of 1947, The Congress of Industrial Organizations was cautiously optimistic.  The end of the war meant that industrial labor was no longer bound to its no-strike pledge, and the U.S. Congress had not yet passed the Taft-Hartley act.  By mid-summer, however, the picture had changed. Republicans in Congress had managed to vote in the restrictive legislation which promised to hamper the unions’ legal right to strike and prohibit socialists from holding positions of leadership in labor organizations.  In response, the Los Angeles Council of the CIO planned an ambitious Labor Day parade to celebrate the organization’s achievements on behalf of white and black working men, and to warn against the lurking dangers of unchecked corporate  greed. In advance of the parade, the Council hired cartoonist Ted Sally to sketch several dozen dramatic parade floats, banners and costumes designed to showcase the broad social benefits of collective bargaining.

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Weltkrieg: German Artists Respond to the Great War.

Thumbnail image for Weltkrieg: German Artists Respond to the Great War. February 15, 2013

Collection of 14 World War I Print Portfolios by German Artists.  Including works by René Beeh, Emma Frenberg, Karl Bober, Bruno Kraustopf, Ursla Stolte, Paul Hartmann, Elsa Weigandt, Erich Dietrich, Hilde Schindler, Georg Mathen, Editha Quaas, Joshua Bampp, Paul Winkler, Josef Eberz, Fritz Gärtner, Erich Gruner, Willi Geiger, Carl Christoph Hartig, Luigi Kasimir, Hermann Struck, […]

Boston Punk from the Female Fan’s Perspective: Loretta Baretta and Carmen Monoxide’s Miscarriage Magazine, 1977-1978.

Thumbnail image for Boston Punk from the Female Fan’s Perspective: Loretta Baretta and Carmen Monoxide’s <i>Miscarriage</i> Magazine, 1977-1978. November 14, 2012

Miscarriage. The Abortive Attempt.  Nos. 13 (1977) – 14; 16 – 19; 20; 22 – 30; 30 (bis) – 36 (March 1978) (dated per the postal cancellation). [Title and subtitle vary.] Collection of 23 weekly issues (ca. 2-6 leaves each). Boston / Jamaica Plain, MA (10 Priesing Street) 1977-1978. (47328) Like most cities in the […]

Dreaming in Dirigibles: The Airship Postcard Albums of Lord Ventry.

Thumbnail image for Dreaming in Dirigibles: The Airship Postcard Albums of Lord Ventry. July 26, 2012

Collection of 548 postcard prints and original photographs depicting airships, dirigibles and zeppelins, ca. 1890 to 1960. Most images 3 x 5 in. or 4 x 6 in., housed in period 4to and tall 4to boards albums, one with spine partially detached.  N.p (United Kingdom?), N.d. (ca. 1890 to 1960).  (47267) The golden age of […]

Conjuring Pan: Julius Meier-Graefe’s darkly beautiful paean to the new currents of art in Europe, 1895-1899.

Pan. Cover detail. March 22, 2012

Pan.  Years I-V (all published). Edited by Julius Meier-Graefe and Otto Julius Bierbaum.  A complete run of all five years, bound in 21 parts as issued  (altogether 347, 351, 266, 267, 279 pp.)  Sm. folio.  Orig. wrpps., a few chips and tears at edges, some covers professionally repaired.  Berlin (Genossenschaft Pan) 1895-1899.  (45601) In the […]

The most influential graphic arts blog of late-1920s Tokyo: Gendai Shogyo Bijutsu Zenshu.

Thumbnail image for The most influential graphic arts blog of late-1920s Tokyo: <i>Gendai Shogyo Bijutsu Zenshu.</i> October 3, 2011

Kitazawa Yoshio, Hamada Masuji, Wantanabe Soshu, Tatsuke Yoichiro, et al. Gendai Shogyo Bijutsu Zenshu.  (“The Complete Commercial Artist”). 24-volume-illustrated series (each vol. approx. 100-150 pp. including plates).  4to.  Wrpps.  Tokyo (Ars) 1927-1930.  (46209) Over the past five years or so, a loose cadre of visual data miners at blogs including BibliOdyssey, 50 Watts, but does […]

Picturing Anarchy: The Graphic Design of Rufus Segar.

Anarchy 41: The Land June 27, 2011

Anarchy.  A Journal of Anarchist Ideas. Vol. 1, no. 1 (Mar. 1961) – vol. 10, no. 12 (Dec. 1970) [Alternately numbered nos. 1-118.] (entire first series). 118 numbers in ten consecutively paginated volumes.  8vo.  Illus. wrpps. In the early 1960s, the editors of Freedom Press, those stalwart protectors of the anarchist tradition in Great Britain, […]

“Sem au Bois” Update: The Jockey Club de Paris, ca. 1908.

Thumbnail image for “Sem au Bois” Update: The Jockey Club de Paris, ca. 1908. June 7, 2011

“And if you happen to be an historian of Belle Epoque Paris (clever you) and recognize anyone among the caricatures, please let us know in the comments field…”

— UPDATE, May 2011:

When first I wrote about Georges “Sem” Goursat’s 1910 leporello Sem au Bois about a year ago, I ended the post with an invitation, asking readers to share any insights they might have as to the real-world identities of the faces caricatured in Sem’s well-heeled crowd of Boulogne woods revelers.

Last week, Pablo Medrano Bigas, Associate Professor of Design and Image of the imatge de diagramacióFaculty of Fine Arts at Universitat de Barcelona answered the call. Clever him, indeed. And lucky us — not only has he positively identified several of the processional’s key figures, he’s also supplied a wealth of historical background information to further our understanding the illustration’s form and content.

The First Flight from New York to Paris

Thumbnail image for The First Flight from New York to Paris May 2, 2011

The First Flight from New York to Paris by Colonel Ch. A. Lindbergh. Lavish privately printed presentation album commemorating Lindbergh’s solo crossing of the Atlantic, this copy extra-illustrated with a large silver print photograph of the Spirit of St. Louis in flight over Paris, signed by Lindbergh and tipped onto front free endpaper.  Thick, square […]

Postcards from the Edge

Thumbnail image for Postcards from the Edge April 22, 2011

Artists’ postcards from the collection of Ulises Carrión, comprised of approximately 900 individual items in 108 small edition sets (most 50-500 copies) by Günter Brus, Stempelplaats, Nickolaus Urban, and Gabor Toth, among others, many signed by the artists and addressed to Carrión.  [44030] Without so much as an envelope to keep their contents private, postcards […]

“Le degré de perfection des productions de l’imprimerie d’un pays est une des marques de son degré de civilisation.” Printing in Japan, ca. 1915.

Thumbnail image for “Le degré de perfection des productions de l’imprimerie d’un pays est une des marques de son degré de civilisation.” Printing in Japan, ca. 1915. April 4, 2011

Sawada, Yozo. Insatsu Taikan (Great Atlas of Printing).  Unpaginated album.  Sm. folio.  Silk-covered boards, tie-bound.  Osaka (Nihon Insatsu Kaisha) 1915.  [46467] Following the death of his father, the Meiji Emperor, on July 30, 1912, Crown Prince Yoshihito ascended to the Chrysanthemum Throne of Japan to become the Taishō Emperor. After three years of Imperial preparations, […]

Both Sides of Broadway, Then and Now

Thumbnail image for Both Sides of Broadway, Then and Now March 18, 2011

De Leeuw, Rudolph M.  Both Sides of Broadway, from Bowling Green to Central Park, New York City.   New York City (The De Leeuw Riehl Pub. Co.) 1910.  [46491] In 1910, author-publisher-photographer Rudolph M. De Leeuw realized his entrepreneurial ambition of publishing a building-by-building sequential photographic survey of the most famous street in America.  Both […]

“What Power is This?” Shinjuku Playmap & Tokyo Graphic Design, ca. 1970.

What Power is This? February 23, 2011

Teruhiko Yumura, et al.-. Shinjuku Playmap.  Nos. 1 (July 1969) through 30 (December 1971) (all published in the first series).  8vo.  Wrpps., covers illustrated by Teruhiko Yumura (also known as King Terry and Terry Johnson).  Tokyo 1969-1971.  [46471] What power is this, indeed? The global tidal wave of youth culture rebellion and experimentation of the […]

Compositions for Silk Damask & Other Fabrics (homage to Morton Feldman)

Thumbnail image for Compositions for Silk Damask & Other Fabrics (homage to Morton Feldman) February 8, 2011

(Fabric weaving manuscript).- Felix, M. & J. Mercier. Cahier de Théorie 4e Année 3e. N.p. (Lyon?) n.d. (circa 1895). [44915] Though we know little about the person who composed it (“J. Mercier,” seemingly a student in the 4th-year class of  one “Professeur M. Felix”), Cahier de Théorie 4e Année 3e offers a rich window into […]

Felix Vallotton’s Reinvention of the Woodcut

Thumbnail image for Felix Vallotton’s Reinvention of the Woodcut February 1, 2011

Meier-Graefe, Julius. Felix Vallotton, Biographie: Des Kuenstlers nebst dem Wichtigsten teil seines Bisher Publicierten Werkes & Einer Anzahl Unedierter Originalplatten; De Cet Artiste avec la Partie la Plus Importante de son Oeuvre Editee et Differentes Gravures Originales & Nouvelles. Berlin/Paris (J. A. Stargardt/Edmond Sagot) n.d. (ca. 1898).  Freitag 12821. [41835] Painter, playwright, critic and man […]

30 Year in Face 800 Year in Heart: In Memoriam Walasse Ting.

My Shit and My Love December 20, 2010

Brussels. Galerie Smith. My Shit and My Love: Ting. 1961. Signed by Ting on inside front cover; limited to 1099 copies. $250 [46359] Walasse Ting died at the age of 80 on May 17, 2010. He is remembered as a mischievous bon vivant, prodigious womanizer and prolific artist who recognized few boundaries between his practice in […]

“Everything has its Limit! Even Miniskirts…” Aerial propaganda leaflets on the inner German border, 1965-1969.

http://farm6.static.flickr.com/5167/5246880477_16618b2992_t.jpg December 13, 2010

Unique Dossier.- “Propaganda; British Frontier Service / 511.  Vol. II: Opened 30-2-65, Closed 18 Jun 69.” [46337] In the mid 1960s, a heated barrage of artillery over the inner German border (separating the Soviet and Western occupation zones) delivered neither explosives nor shrapnel, but aerial propaganda leaflets. This was, after all, the cold war, and […]

Damage: An Inventory, “the magazine that’s not for everybody.”

Damage: An Inventory December 7, 2010

A pronounced regionalism prevailed in the American underground music scene of the late 1970s and early 1980s. In California, the micro-climates of Los Angeles and San Francisco each nurtured a distinctive local take on punk rock. Local fanzines reflected this, with publications like Search & Destroy celebrating the eclecticism of the Bay Area while Slash Magazine spoke to the angular defiance of Melrose and Silverlake. Brad Lapin’s Damage: An Inventory represented itself as a partisan of both communities, and furthermore, sought to connect West Coast punk to developments in Tokyo, Paris, London and elsewhere.