From the category archives:

Graphic Design

This phenomenal and expansive collection of playing cards serves as an unusual and invaluable resource by which we can trace the history of transportation and the railroad industry, trends in travel and advertising, technological developments, cultural history, and even politics. While playing cards date back to antiquity, card games saw a surge in popularity in Europe during the 17th and 18th centuries. By the early 19th century, games such as poker were played on gambling riverboats on the Mississippi River. Playing cards occupy a unique place in history in that they are able to function as decorative objects, while also being objects of daily use and recreation. Their portable size made them well-suited to travel. Railroads and airlines produced decks of playing cards as complimentary items of entertainment for their passengers to use while aboard and to take with them as souvenirs of their trips.

 

Of the 700 or so decks in the collection, over a third are related to the railroad industry. Over fifty individual railroad lines are represented, both major and minor lines from across North America, including Northern Pacific, Southern Pacific, Union Pacific, Algoma Central, Atlantic Coast Line, Bangor/Aroostook, Burlington Northern, Burlington Vista Dome Zephyr, Southern Railway, Denver and Rio Grande Western, Illinois Central, Chesapeake and Ohio, Canadian Pacific, Kansas City Southern, L&N (Louisville & Nashville), Missouri Pacific, Ontario Northland, Norfolk and Western, Norfolk and Southern, Nickel Rate Road, Pennsylvania Railroad, B&O, Wabash, Soo Line, Santa Fe, Seaboard Coast Line, and others. Many of the decks have pictorial backs showcasing a landscape scene along the train line.

A handful, particularly some of the Southern Pacific cards, are also part of a small collection which showcase a different pictorial view on each card. Not all are produced by railroads, but the scenic cards in this group include views of “Picturesque Canada”, the Florida coast, the Great Southwest, the Golden West, the White Pass and Yukon, Niagara Falls, and scenes along the Denver and Rio Grande Western, Western Pacific, Intercolonial & Prince Edward Island, and Chicago, Milwaukee, St. Paul & Pacific railway lines.

The last third or so of the collection somewhat defies categorization. There are a number of standout decks from a wide variety of topics, publishers, and locations. Some of the more unusual decks and highlights include:

  • UK Registered Dieticians “Pack of Diets” deck featuring four different diet plans, one per suit, which a different full day’s menu per card
  • “Play House” children’s game with cards featuring rooms and household objects, not traditional suits and numbers
  • Double decks from Fournier of Spain, including “Medieval World”, “Traditional Russian”, and “Baraja Histórica”, regarding the Spanish ‘discovery’ and colonization of America
  • A deck with sites from the Former Imperial Palace of China
  • Famous Views of Hong Kong
  • A deck featuring World War I posters from the Imperial War Museum
  • Milton Bradley “Par Auction” deck
  • A collection of French historical and novelty decks featuring Napoleon, wines of France, French kings, Joan of Arc, and other historical figures
  • Two Braniff International decks with Spanish and Portuguese phrases
  • City of Hope Medical Center double deck featuring Hollywood caricatures
  • TWA Collector’s series featuring a different aircraft on each card
  • A Braille deck
  • Coca-Cola deck, circa 1970, featuring a print by Michael English
  • Two railroad double-decks featuring Native American figures, including one with a portrait of Chief Quanah, Last of the Comanches from the Quanah, Acme & Pacific Railway
  • Two “Extra Fine Rococo Style” Art Deco decks from the USSR, 1917
  • Vintage English Ovals Cigarettes Playing Cards, some decks still sealed
  • A number of Waddington’s “Beautiful Britain” scenic decks
  • Large double art decks from Piatnik, including “Baroque”, “Renaissance”, “Original Viennese”, and “Rococo”
  • A round-format deck from Honeywell Thermostats
  • “Gypsy Witch” fortune-telling deck
  • Edison Lamp Works/General Electric deck featuring artwork by Maxfield Parrish
  • Friends of the Tate Gallery art deck
  • Circa 1890s deck from the Cunard Steamship Company
  • Circa 1850s deck from the African Steamship Company
  • 1933 Century of Progress World’s Fair souvenir deck with views of the fair
  • Brother Electronic Office Typewriters deck from the 1984 Los Angeles Olympics
  • Sealed 1929 Wanamaker “Bubble” double deck
  • A deck from the Lahaina-Kaanapal & Pacific Railroad in Hawaii
  • A deck with backs featuring a photographic portrait of “Esiuol – An Eskimo Glamour Girl in Native Costume”
  • Two Russian decks with Cyrillic letters
  • 2004 John Kerry for President deck, each card featuring a caricature of a different politician or figure
  • “Newmarket” game deck, circa 1930s, featuring racehorses
  • 1901 Pan-American Exposition souvenir deck with views of the fair
  • “Old English Curve Cut Pipe Tobacco” deck in original box
  • Scenic deck with views from Cuba
  • Cotton Belt Route deck with a color illustration of a young Black girl eating watermelon

An incomparable historical and cultural resource and a fascinating collection of incredible scope. Collection of over 700 decks of playing cards, primarily American but also with examples from Europe and elsewhere in the world, published from the mid-19th through the early 21st century, most in original boxes and cases, many still sealed in original wrapping, some double decks in larger folding boxes. Varying condition – many excellent, a number of cases with expected wear and tear to cardboard, a handful of decks incomplete. Various places, circa 1845-2015. Price available upon inquiry

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The history of tarot is long, and probably surprising to some. The earliest known surviving full deck dates to the early 15th century in Italy. Painted by Bonifacio Bembo for the Duke of Milan, it is known as the Visconti-Sforza deck, after the Duke’s family name. In Renaissance Europe, these decks of cards, then known as trionfi, tarocchi, and tarock, were used to play games such as tarocchini in Italy and jeu de tarot in France, trick-taking card games in the same vein as Whist or bridge. In Italy, the aristocracy would also engage in a whimsical game known as “tarocchi appropriati”, in which players were dealt cards from the deck and used the imagery and themes to compose poetry. It wasn’t until the 18th century that the cards began to be used as we think of them today, for divination and cartomancy.

A tarot deck is comprised of 78 cards total. Similar to standard playing cards, there is a set of four suits which vary by region, but often are represented by wands/batons, cups, coins/pentacles, and swords. Each suit is comprised of 14 cards, ten cards numbered one or ace to ten, and four face cards: King, Queen, Knight, and Jack or Knave. These 56 cards are known as the minor arcana. The other 22 cards are known as the major arcana and consist of a group of 21 Trump cards and a single card known as the Fool. Although there are wide varieties in tarot decks, stylistically and regionally, some of the more archetypal arcana cards include the Tower, the Devil, the Magician, Death, the Wheel of Fortune, the Chariot, Justice/Judgment, the Lovers, the Moon, the Sun, and the World. Some tarot decks contain only these 22 major arcana cards, eliminating the four suits.

F.A. Bernett Books currently has in its inventory a collection of over 200 assorted tarot decks, comprising an impressive overview of the history and study of tarot. Most of the decks date to the second half of the 20th century and are primarily European in origin. This collection includes reproductions of important historical decks, decks showcasing the work of modern artists and more whimsical decks centered around fantastical themes. Highlighted below are several of the numerous interesting and eye-catching decks from this collection.

 

  

 

 

 

 

 

 

 

 

 

 

Reproduction of the Tarocco di Marsiglia (Svizzera 1804). No. 555 of a limited edition of 2000. Milan (Edizioni Il Meneghello/Cavallini & Co.) n.d.

 

 

 

 

 

 

 

 

 

 

 

Il Tarocco di Amerigo Folchi. Artwork by Amerigo Folchi. No. 2528 of a limited edition of 3000. Bologna (Italcards) 1991.

 

 

 

 

 

 

 

 

 

 

 

 

Le Tarot de la Réa. Artwork by Alain Bocher. St-Brieuc, Franc (Les Presses Bretonnes) 1982.

 

 

 

 

 

 

 

 

 

 

 

 

Tarocco Fantastico. Artwork by Franco Bruna. No. 160 of a limited edition of 1200, with signed and hand-numbered title card. Turin (Viassone) 1982.

 

 

 

 

 

 

 

 

 

 

Zigeuner Tarot. Artwork by Walter Wegmüller. Basel (Sphinx Verlag/AGMüller) 1982.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Grand Tarot Belline. No. 4366. Paris (J.M. Simon/Grimaud) 1966.

 

 

 

 

 

 

 

 

 

 

 

 

XXII Arcani – I Tarocchi di Andrea Picini. Artwork by Andrea Picini. No. 123 of a limited edition of 1000, with signed and hand-numbered title card. N.p. (Edizioni Luca) 1977.

 

 

Extensive Collection of Tarot Cards. A large collection of over 200 decks of tarot cards, most dating to the second half of the 20th century with a few earlier and later outlying examples, from publishers in Austria, Belgium, France, Germany, Italy, Japan, Spain, Switzerland, and the United States, including reproductions of antique tarot decks, modern decks showcasing the work of particular artists, and decks providing a more whimsical approach to the arcana. Some decks unopened, a few decks incomplete, the rest all in excellent condition, with little to no signs of wear. Various sizes. Various cities. 1930s-2000s. Together with an assortment of over 100 catalogues and books related to the tarot, some pertaining to specific decks. (48661)

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Collection of Invitations, Programs, Flyers, Posters, Broadsides and other Ephemeral Items pertaining to the Palladium nightclub, June 1985 – May 1987. ca. 170 items ranging from single sheet to folding invitations, pop ups, and physical objects, executed in print processes including letterpress, stencil, silk screen, and off-set lithography, most in vibrant color. Items ranging in size from approx. 3 7/8″ x 3 7/8″ to 23″ x 28″, loose as originally issued. N.p. (New York) 1985-1987. (47729)

Steve Rubell is said to have declared, “Artists are the rock stars of the 80s.” The notorious nightclub owner and his business partner Ian Schrager ran Studio 54 before their arrest and incarceration for tax evasion in 1980. In May 1985 they opened the Palladium nightclub, designed as a celebration of this unprecedented alliance between art and pop culture.  [click to continue…]

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Conjuring Pan: Julius Meier-Graefe’s darkly beautiful paean to the new currents of art in Europe, 1895-1899.

Pan. Cover detail. March 22, 2012

Pan.  Years I-V (all published). Edited by Julius Meier-Graefe and Otto Julius Bierbaum.  A complete run of all five years, bound in 21 parts as issued  (altogether 347, 351, 266, 267, 279 pp.)  Sm. folio.  Orig. wrpps., a few chips and tears at edges, some covers professionally repaired.  Berlin (Genossenschaft Pan) 1895-1899.  (45601) In the […]

The most influential graphic arts blog of late-1920s Tokyo: Gendai Shogyo Bijutsu Zenshu.

Thumbnail image for The most influential graphic arts blog of late-1920s Tokyo: <i>Gendai Shogyo Bijutsu Zenshu.</i> October 3, 2011

Kitazawa Yoshio, Hamada Masuji, Wantanabe Soshu, Tatsuke Yoichiro, et al. Gendai Shogyo Bijutsu Zenshu.  (“The Complete Commercial Artist”). 24-volume-illustrated series (each vol. approx. 100-150 pp. including plates).  4to.  Wrpps.  Tokyo (Ars) 1927-1930.  (46209) Over the past five years or so, a loose cadre of visual data miners at blogs including BibliOdyssey, 50 Watts, but does […]

Picturing Anarchy: The Graphic Design of Rufus Segar.

Anarchy 41: The Land June 27, 2011

Anarchy.  A Journal of Anarchist Ideas. Vol. 1, no. 1 (Mar. 1961) – vol. 10, no. 12 (Dec. 1970) [Alternately numbered nos. 1-118.] (entire first series). 118 numbers in ten consecutively paginated volumes.  8vo.  Illus. wrpps. In the early 1960s, the editors of Freedom Press, those stalwart protectors of the anarchist tradition in Great Britain, […]

“Le degré de perfection des productions de l’imprimerie d’un pays est une des marques de son degré de civilisation.” Printing in Japan, ca. 1915.

Thumbnail image for “Le degré de perfection des productions de l’imprimerie d’un pays est une des marques de son degré de civilisation.” Printing in Japan, ca. 1915. April 4, 2011

Sawada, Yozo. Insatsu Taikan (Great Atlas of Printing).  Unpaginated album.  Sm. folio.  Silk-covered boards, tie-bound.  Osaka (Nihon Insatsu Kaisha) 1915.  [46467] Following the death of his father, the Meiji Emperor, on July 30, 1912, Crown Prince Yoshihito ascended to the Chrysanthemum Throne of Japan to become the Taishō Emperor. After three years of Imperial preparations, […]

“What Power is This?” Shinjuku Playmap & Tokyo Graphic Design, ca. 1970.

What Power is This? February 23, 2011

Teruhiko Yumura, et al.-. Shinjuku Playmap.  Nos. 1 (July 1969) through 30 (December 1971) (all published in the first series).  8vo.  Wrpps., covers illustrated by Teruhiko Yumura (also known as King Terry and Terry Johnson).  Tokyo 1969-1971.  [46471] What power is this, indeed? The global tidal wave of youth culture rebellion and experimentation of the […]