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Tokyo

Kitazawa Yoshio, Hamada Masuji, Wantanabe Soshu, Tatsuke Yoichiro, et al. Gendai Shogyo Bijutsu Zenshu.  (“The Complete Commercial Artist”). 24-volume-illustrated series (each vol. approx. 100-150 pp. including plates).  4to.  Wrpps.  Tokyo (Ars) 1927-1930.  (46209)

Over the past five years or so, a loose cadre of visual data miners at blogs including BibliOdyssey, 50 Watts, but does it float, Accidental Mysteries, Agence Eureka, and La Boite Verte (to name but a few) have collectively developed an on-line pictorial archive of inestimable value to artists and graphic designers who wish to renew their powers in the streams of history. [click to continue…]

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Teruhiko Yumura, et al.-. Shinjuku Playmap.  Nos. 1 (July 1969) through 30 (December 1971) (all published in the first series).  8vo.  Wrpps., covers illustrated by Teruhiko Yumura (also known as King Terry and Terry Johnson).  Tokyo 1969-1971.  [46471]

What Power is This?

What power is this, indeed?

The global tidal wave of youth culture rebellion and experimentation of the late 1960s and early 1970s did not bypass Tokyo.  Shinjuku ward—home to the city’s municipal government and its busiest commuter rail center—was the local substation through which powerful new currents in music, fashion and visual art flowed in and out of Japan.

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