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Italy

Naples, September 1974.

“Anni di piombo” (“The Lead Years”) has little nostalgic resonance in the US. Unlike “Mai ‘68”, which instantly evokes exhilarating scenes of French student occupations, demonstrations, police brutality, wildcat strikes, riots, and barricades. (And perhaps some fervent threesomes if you made it through Bertolucci’s The Dreamers.) While Mai ‘68 appears retrospectively as both the unfulfilled apex and mythic nativity for so many –isms of the late twentieth-century, the tumultuous anni di pombo are largely overlooked despite the radical political and cultural activity maintained by the Italians for a decade after similar movements had withered in France and the United States. [click to continue…]

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The Bricklayer’s Art

by Arthur on Tuesday, March 2, 2010

in 20th-Century,Art,Color

[futurism] Trade Catalogue.-  Milan.   Società Anonima Giuseppe Verzocchi.  Veni. VD. Vici. Milan (Società Anon. G. Verzocchi) 1924.  [45934]

Illustration by Fortunato Depero.

Illustration by Fortunato Depero for Veni. VD. Vici.

“All I have,” explained Giuseppe Verzocchi in a 1950 interview with Life magazine, “I owe to work. I intend to build a monument to it through art.”  Verzocchi made good on the promise (and then some), commissioning hundreds of Italian painters and illustrators to create work incorporating themes of labor and industry over the course of his life.   [click to continue…]

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