52 Examples of Jewish-American Sheet Music from the Early 20th Century. A collection of English-language sheet music, ca. 4-8 pp. each, in orig. color illus. wrrps., most published in New York, Boston, Chicago, Cleveland, or Los Angeles, ca. 1900-1920. (47699)
“Under the Matzo Tree: A Ghetto Love Song,” “Yiddle on your Fiddle Play Some Rag Time,” and “At Abe Kabbible’s Kabaret,” aren’t the songs that made legends of Jewish-American composers and lyricists like Irving Berlin, George Gershwin and Jerome Kern. Their celebrated contributions to the history of American popular music and modern styles of ragtime, jazz and blues for vaudeville, musical theater, radio, and eventually film have eclipsed their modest beginnings as song-pluggers and composers churning out campy sheet music titles like these for parlor room entertainments and novelty acts in New York City’s raffish Tin Pan Alley. [click to continue…]
Novyi Lef. Zhurnal Levogo Fronta Iskusstv. Year 1, No. 1 (January 1927) through Year 2, No. 12 (December 1928) (all published). 24 issues, published in 22 vols. as issued, comprising a complete first edition of the Soviet avant-garde monthly designed by Alexandr Rodchenko under the editorial direction of Vladimir Mayakovsky, followed by Sergei Tret’iakov, each issue with 4 pp. of reproductions of photographs or photomontages by Rodchenko and others bound in. 4to. Orig. illus. color wrpps. by Rodchenko. Moscow (Gosizdat) 1927-1928. (47801)
“We must revolutionize people by making them see from all vantage points and in all lights.”
The nationalist pageantry of the Sochi opening ceremony drew vivid attention to Constructivism and the legendary achievements of the Russian avant-garde. A monumental locomotive steaming through the darkened stadium surrounded by dramatically lighted industrial and geometric fragments was an improbable homage to the groundbreaking aesthetic strategies of artists like Alexandr Rodchenko whose photomontages, bold graphic design, and splintered vision celebrated technology and foreshadowed the artist as an “avatar of the information age.”
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Teruhiko Yumura, et al.-. Shinjuku Playmap. Nos. 1 (July 1969) through 30 (December 1971) (all published in the first series). 8vo. Wrpps., covers illustrated by Teruhiko Yumura (also known as King Terry and Terry Johnson). Tokyo 1969-1971. 
What power is this, indeed?
The global tidal wave of youth culture rebellion and experimentation of the late 1960s and early 1970s did not bypass Tokyo. Shinjuku ward—home to the city’s municipal government and its busiest commuter rail center—was the local substation through which powerful new currents in music, fashion and visual art flowed in and out of Japan.
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