From the category archives:

Fashion

Collection of Invitations, Programs, Flyers, Posters, Broadsides and other Ephemeral Items pertaining to the Palladium nightclub, June 1985 – May 1987. ca. 170 items ranging from single sheet to folding invitations, pop ups, and physical objects, executed in print processes including letterpress, stencil, silk screen, and off-set lithography, most in vibrant color. Items ranging in size from approx. 3 7/8″ x 3 7/8″ to 23″ x 28″, loose as originally issued. N.p. (New York) 1985-1987. (47729)

Steve Rubell is said to have declared, “Artists are the rock stars of the 80s.” The notorious nightclub owner and his business partner Ian Schrager ran Studio 54 before their arrest and incarceration for tax evasion in 1980. In May 1985 they opened the Palladium nightclub, designed as a celebration of this unprecedented alliance between art and pop culture.  [click to continue…]

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Teruhiko Yumura, et al.-. Shinjuku Playmap.  Nos. 1 (July 1969) through 30 (December 1971) (all published in the first series).  8vo.  Wrpps., covers illustrated by Teruhiko Yumura (also known as King Terry and Terry Johnson).  Tokyo 1969-1971.  [46471]

What Power is This?

What power is this, indeed?

The global tidal wave of youth culture rebellion and experimentation of the late 1960s and early 1970s did not bypass Tokyo.  Shinjuku ward—home to the city’s municipal government and its busiest commuter rail center—was the local substation through which powerful new currents in music, fashion and visual art flowed in and out of Japan.

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(Fabric weaving manuscript).- Felix, M. & J. Mercier. Cahier de Théorie 4e Année 3e. N.p. (Lyon?) n.d. (circa 1895). [44915]

Though we know little about the person who composed it (“J. Mercier,” seemingly a student in the 4th-year class of  one “Professeur M. Felix”), Cahier de Théorie 4e Année 3e offers a rich window into the world of industrial fabric design in turn-of-the-century Lyon—once  a world capital of silk production.

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The Bois de Boulogne and Sem au Bois: Belle Epoque Paris and the Pageantry of the Passing Spectacle

http://farm2.static.flickr.com/1012/4596067321_1c5b7c68e9_t.jpg May 11, 2010

Sem (pseudonym for Georges Goursat).  Sem au Bois (title stamped in gilt on front cover).  N.p. (Paris?) ca. 1908.   Signed and dated 29/4/08 in pencil on the last plate; 6 other plates with the artist’s printed insignia.  [45958] A jewel in the crown of Baron Haussmann’s modernized Paris, the Bois de Boulogne opened as a […]

Lucien Vogel’s Le Style Parisien

Le Style Parisien January 7, 2010

Le Style Parisien.  Numbers 1 (July 1915) through 7 (February 1916) (all published; lacking 8 pp. text). Paris (Librairie Centrale des Beaux-Arts) 1915-1916.  [45884] It may not have been the most avant-garde publication of its time, but Le Style Parisien served as an important bridge between the emerging capitals of  European fashion — chiefly Paris […]