From the category archives:

Fashion

Teruhiko Yumura, et al.-. Shinjuku Playmap.  Nos. 1 (July 1969) through 30 (December 1971) (all published in the first series).  8vo.  Wrpps., covers illustrated by Teruhiko Yumura (also known as King Terry and Terry Johnson).  Tokyo 1969-1971.  [46471]

What Power is This?

 

What power is this, indeed?

The global tidal wave of youth culture rebellion and experimentation of the late 1960s and early 1970s did not bypass Tokyo.  Shinjuku ward—home to the city’s municipal government and its busiest commuter rail center—was the local substation through which powerful new currents in music, fashion and visual art flowed in and out of Japan.

[click to continue…]

Digg This
Reddit This
Stumble Now!
Buzz This
Vote on DZone
Share on Facebook
Bookmark this on Delicious
Kick It on DotNetKicks.com
Shout it
Share on LinkedIn
Bookmark this on Technorati
Post on Twitter
Google Buzz (aka. Google Reader)

{ 0 comments }

(Fabric weaving manuscript).- Felix, M. & J. Mercier. Cahier de Théorie 4e Année 3e. N.p. (Lyon?) n.d. (circa 1895). [44915]

Though we know little about the person who composed it (“J. Mercier,” seemingly a student in the 4th-year class of  one “Professeur M. Felix”), Cahier de Théorie 4e Année 3e offers a rich window into the world of industrial fabric design in turn-of-the-century Lyon—once  a world capital of silk production.

[click to continue…]

Digg This
Reddit This
Stumble Now!
Buzz This
Vote on DZone
Share on Facebook
Bookmark this on Delicious
Kick It on DotNetKicks.com
Shout it
Share on LinkedIn
Bookmark this on Technorati
Post on Twitter
Google Buzz (aka. Google Reader)

{ 2 comments }

Sem (pseudonym for Georges Goursat).  Sem au Bois (title stamped in gilt on front cover).  N.p. (Paris?) ca. 1908.   Signed and dated 29/4/08 in pencil on the last plate; 6 other plates with the artist’s printed insignia.  [45958]

La "Mercedes" des Commissaires

"La 'MERCEDES'' des Commissaires," panel 1 of Sem au Bois.

A jewel in the crown of Baron Haussmann’s modernized Paris, the Bois de Boulogne opened as a park in 1852.  Funded by Napolean III — who’s said to have been taken with London’s Hyde Park  during his exile there in the 1830s — the “Boulogne Woods” offered the social elite of Belle Époque Paris an ideal grounds for the public display of their accumulating wealth.  In 1908, Georges Goursat, who was known at the time by his moniker “Sem,” caricatured the ensuing parade of bourgeois vanity in a spectacular yet little-known accordion-format panoramic album entitled Sem au Bois.

[click to continue…]

Digg This
Reddit This
Stumble Now!
Buzz This
Vote on DZone
Share on Facebook
Bookmark this on Delicious
Kick It on DotNetKicks.com
Shout it
Share on LinkedIn
Bookmark this on Technorati
Post on Twitter
Google Buzz (aka. Google Reader)

{ 4 comments }

Lucien Vogel’s Le Style Parisien

Le Style Parisien January 7, 2010

Le Style Parisien.  Numbers 1 (July 1915) through 7 (February 1916) (all published; lacking 8 pp. text). Paris (Librairie Centrale des Beaux-Arts) 1915-1916.  [45884] It may not have been the most avant-garde publication of its time, but Le Style Parisien served as an important bridge between the emerging capitals of  European fashion — chiefly Paris [...]