Kitazawa Yoshio, Hamada Masuji, Wantanabe Soshu, Tatsuke Yoichiro, et al. Gendai Shogyo Bijutsu Zenshu. (“The Complete Commercial Artist”). 24-volume-illustrated series (each vol. approx. 100-150 pp. including plates). 4to. Wrpps. Tokyo (Ars) 1927-1930. (46209)
Over the past five years or so, a loose cadre of visual data miners at blogs including BibliOdyssey, 50 Watts, but does it float, Accidental Mysteries, Agence Eureka, and La Boite Verte (to name but a few) have collectively developed an on-line pictorial archive of inestimable value to artists and graphic designers who wish to renew their powers in the streams of history. [click to continue…]
Sem (pseudonym for Georges Goursat). Sem au Bois (title stamped in gilt on front cover). N.p. (Paris?) ca. 1908. Signed and dated 29/4/08 in pencil on the last plate; 6 other plates with the artist’s printed insignia. 
Caricature from “Sem au Bois,” identified by Prof. Pau Medrano Bigas as Jagatjit Singh Bahadur (1872-1949), Maharadjah of Kapurthala State under British Colonial rule.
“And if you happen to be an historian of Belle Epoque Paris (clever you) and recognize anyone among the caricatures, please let us know in the comments field…”
— UPDATE, May 2011:
When first I wrote about Georges “Sem” Goursat’s 1910 leporello Sem au Bois about a year ago, I ended the post with an invitation, asking readers to share any insights they might have as to the real-world identities of the faces caricatured in Sem’s well-heeled crowd of Boulogne woods revelers.
Last week, Pablo Medrano Bigas, Associate Professor of Design and Image at the Faculty of Fine Arts at Universitat de Barcelona answered the call. Clever him, indeed, and lucky us. Not only has he positively identified several of the processional’s key figures, he’s also supplied a wealth of historical background information to further our understanding the illustration’s form and content.
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Sawada, Yozo. Insatsu Taikan (Great Atlas of Printing). Unpaginated album. Sm. folio. Silk-covered boards, tie-bound. Osaka (Nihon Insatsu Kaisha) 1915. 
Following the death of his father, the Meiji Emperor, on July 30, 1912, Crown Prince Yoshihito ascended to the Chrysanthemum Throne of Japan to become the Taishō Emperor. After three years of Imperial preparations, Yoshihito’s public coronation took place in November of 1915. The leaders of industries which had thrived during the Meiji period of modernization wisely turned out to pay tribute to the young monarch. Proud of their accomplishments during his father’s reign, Japanese printers and publishers marked the occasion with lavish commemorative publications. Insatsu Taikan—the Great Atlas of Printing—showcases the remarkable quality and innovation of printing in Japan, ca. 1915.
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