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Arthur

Collection of 20 titles, ca. 50-300 pp. each. Paris / Geneva / Moscow, 1897-1973, offered with Inforespace. Cosmologie Phénomènes Spatiaux Primhistoire. Revue Bimestrielle. Nos. 1 (1972) – 67, 69 – 71, 73 & 75, incl. the “hors serie” December annuals nos. 1 (1977) – 8 (1984). Altogether 80 issues comprising a 17-year head-of-series run of the newsletter published by the Société Belge d’Étude des Phénomènes Spatiaux (SOBEPS). 8vo. Uniform silver wrpps. 1972 – 1988. (47653)

Photographic evidence of “OVNI” from the pages of Inforespace. Cosmologie Phénomènes Spatiaux Primhistoire.

When the Soviets launched Sputnik 1 into space on the 4th of October 1957, eyes all over the world were suddenly on the heavens.  This was no less true in Geneva, Paris, and Brussels than it was in Washington D.C. and San Diego.  The final frontier had finally been broached and popular imagination turned to the night sky with an intensified curiosity.

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Sally, Ted (drawings). Labor Day Sketch Book 1947. Los Angeles CIO Council. Unpaginated (ca. 32 pp.) presentation of proposed designs, drawn by Sally, for floats, banners, costumes, and other accoutrements for a union-oriented progressive Labor Day parade. Oblong large 4to. Orig. printed wrpps. Los Angeles (CIO Council) 1947. (47538)

In the spring of 1947, The Congress of Industrial Organizations was cautiously optimistic.  The end of the war meant that industrial labor was no longer bound to its no-strike pledge, and the U.S. Congress had not yet passed the Taft-Hartley act.  By mid-summer, however, the picture had changed. Republicans in Congress had managed to vote in the restrictive legislation which promised to hamper the unions’ legal right to strike and prohibit socialists from holding positions of leadership in labor organizations.  In response, the Los Angeles Council of the CIO planned an ambitious Labor Day parade to celebrate the organization’s achievements on behalf of white and black working men, and to warn against the lurking dangers of unchecked corporate  greed. In advance of the parade, the Council hired cartoonist Ted Sally to sketch several dozen dramatic parade floats, banners and costumes designed to showcase the broad social benefits of collective bargaining.

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Collection of 14 World War I Print Portfolios by German Artists.  Including works by René Beeh, Emma Frenberg, Karl Bober, Bruno Kraustopf, Ursla Stolte, Paul Hartmann, Elsa Weigandt, Erich Dietrich, Hilde Schindler, Georg Mathen, Editha Quaas, Joshua Bampp, Paul Winkler, Josef Eberz, Fritz Gärtner, Erich Gruner, Willi Geiger, Carl Christoph Hartig, Luigi Kasimir, Hermann Struck, Richard Müller and Heinrich Vogeler. Munich, Berlin, etc., 1914-1917. (47377)

The First World War may have been the last global conflict to be so comprehensively illustrated and interpreted by graphic artists.  Only a few decades later, Capra and the photographers who followed his example would claim battlefield documentation largely for the camera.  With the centennial of the war’s commencement looming next year, F.A. Bernett Books has acquired a collection of print portfolios that demonstrate how German visual artists represented and responded to the Great War.

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Boston Punk from the Female Fan’s Perspective: Loretta Baretta and Carmen Monoxide’s Miscarriage Magazine, 1977-1978.

Thumbnail image for Boston Punk from the Female Fan’s Perspective: Loretta Baretta and Carmen Monoxide’s <i>Miscarriage</i> Magazine, 1977-1978. November 14, 2012

Miscarriage. The Abortive Attempt.  Nos. 13 (1977) – 14; 16 – 19; 20; 22 – 30; 30 (bis) – 36 (March 1978) (dated per the postal cancellation). [Title and subtitle vary.] Collection of 23 weekly issues (ca. 2-6 leaves each). Boston / Jamaica Plain, MA (10 Priesing Street) 1977-1978. (47328) Like most cities in the […]

Dreaming in Dirigibles: The Airship Postcard Albums of Lord Ventry.

Thumbnail image for Dreaming in Dirigibles: The Airship Postcard Albums of Lord Ventry. July 26, 2012

Collection of 548 postcard prints and original photographs depicting airships, dirigibles and zeppelins, ca. 1890 to 1960. Most images 3 x 5 in. or 4 x 6 in., housed in period 4to and tall 4to boards albums, one with spine partially detached.  N.p (United Kingdom?), N.d. (ca. 1890 to 1960).  (47267) The golden age of […]

Conjuring Pan: Julius Meier-Graefe’s darkly beautiful paean to the new currents of art in Europe, 1895-1899.

Pan. Cover detail. March 22, 2012

Pan.  Years I-V (all published). Edited by Julius Meier-Graefe and Otto Julius Bierbaum.  A complete run of all five years, bound in 21 parts as issued  (altogether 347, 351, 266, 267, 279 pp.)  Sm. folio.  Orig. wrpps., a few chips and tears at edges, some covers professionally repaired.  Berlin (Genossenschaft Pan) 1895-1899.  (45601) In the […]

The most influential graphic arts blog of late-1920s Tokyo: Gendai Shogyo Bijutsu Zenshu.

Thumbnail image for The most influential graphic arts blog of late-1920s Tokyo: <i>Gendai Shogyo Bijutsu Zenshu.</i> October 3, 2011

Kitazawa Yoshio, Hamada Masuji, Wantanabe Soshu, Tatsuke Yoichiro, et al. Gendai Shogyo Bijutsu Zenshu.  (“The Complete Commercial Artist”). 24-volume-illustrated series (each vol. approx. 100-150 pp. including plates).  4to.  Wrpps.  Tokyo (Ars) 1927-1930.  (46209) Over the past five years or so, a loose cadre of visual data miners at blogs including BibliOdyssey, 50 Watts, but does […]

Picturing Anarchy: The Graphic Design of Rufus Segar.

Anarchy 41: The Land June 27, 2011

Anarchy.  A Journal of Anarchist Ideas. Vol. 1, no. 1 (Mar. 1961) – vol. 10, no. 12 (Dec. 1970) [Alternately numbered nos. 1-118.] (entire first series). 118 numbers in ten consecutively paginated volumes.  8vo.  Illus. wrpps. In the early 1960s, the editors of Freedom Press, those stalwart protectors of the anarchist tradition in Great Britain, […]

“Sem au Bois” Update: The Jockey Club de Paris, ca. 1908.

Thumbnail image for “Sem au Bois” Update: The Jockey Club de Paris, ca. 1908. June 7, 2011

“And if you happen to be an historian of Belle Epoque Paris (clever you) and recognize anyone among the caricatures, please let us know in the comments field…”

— UPDATE, May 2011:

When first I wrote about Georges “Sem” Goursat’s 1910 leporello Sem au Bois about a year ago, I ended the post with an invitation, asking readers to share any insights they might have as to the real-world identities of the faces caricatured in Sem’s well-heeled crowd of Boulogne woods revelers.

Last week, Pablo Medrano Bigas, Associate Professor of Design and Image of the imatge de diagramacióFaculty of Fine Arts at Universitat de Barcelona answered the call. Clever him, indeed. And lucky us — not only has he positively identified several of the processional’s key figures, he’s also supplied a wealth of historical background information to further our understanding the illustration’s form and content.

The First Flight from New York to Paris

Thumbnail image for The First Flight from New York to Paris May 2, 2011

The First Flight from New York to Paris by Colonel Ch. A. Lindbergh. Lavish privately printed presentation album commemorating Lindbergh’s solo crossing of the Atlantic, this copy extra-illustrated with a large silver print photograph of the Spirit of St. Louis in flight over Paris, signed by Lindbergh and tipped onto front free endpaper.  Thick, square […]

Postcards from the Edge

Thumbnail image for Postcards from the Edge April 22, 2011

Artists’ postcards from the collection of Ulises Carrión, comprised of approximately 900 individual items in 108 small edition sets (most 50-500 copies) by Günter Brus, Stempelplaats, Nickolaus Urban, and Gabor Toth, among others, many signed by the artists and addressed to Carrión.  [44030] Without so much as an envelope to keep their contents private, postcards […]

“Le degré de perfection des productions de l’imprimerie d’un pays est une des marques de son degré de civilisation.” Printing in Japan, ca. 1915.

Thumbnail image for “Le degré de perfection des productions de l’imprimerie d’un pays est une des marques de son degré de civilisation.” Printing in Japan, ca. 1915. April 4, 2011

Sawada, Yozo. Insatsu Taikan (Great Atlas of Printing).  Unpaginated album.  Sm. folio.  Silk-covered boards, tie-bound.  Osaka (Nihon Insatsu Kaisha) 1915.  [46467] Following the death of his father, the Meiji Emperor, on July 30, 1912, Crown Prince Yoshihito ascended to the Chrysanthemum Throne of Japan to become the Taishō Emperor. After three years of Imperial preparations, […]

Both Sides of Broadway, Then and Now

Thumbnail image for Both Sides of Broadway, Then and Now March 18, 2011

De Leeuw, Rudolph M.  Both Sides of Broadway, from Bowling Green to Central Park, New York City.   New York City (The De Leeuw Riehl Pub. Co.) 1910.  [46491] In 1910, author-publisher-photographer Rudolph M. De Leeuw realized his entrepreneurial ambition of publishing a building-by-building sequential photographic survey of the most famous street in America.  Both […]

“What Power is This?” Shinjuku Playmap & Tokyo Graphic Design, ca. 1970.

What Power is This? February 23, 2011

Teruhiko Yumura, et al.-. Shinjuku Playmap.  Nos. 1 (July 1969) through 30 (December 1971) (all published in the first series).  8vo.  Wrpps., covers illustrated by Teruhiko Yumura (also known as King Terry and Terry Johnson).  Tokyo 1969-1971.  [46471]   What power is this, indeed? The global tidal wave of youth culture rebellion and experimentation of […]

Compositions for Silk Damask & Other Fabrics (homage to Morton Feldman)

Thumbnail image for Compositions for Silk Damask & Other Fabrics (homage to Morton Feldman) February 8, 2011

(Fabric weaving manuscript).- Felix, M. & J. Mercier. Cahier de Théorie 4e Année 3e. N.p. (Lyon?) n.d. (circa 1895). [44915] Though we know little about the person who composed it (“J. Mercier,” seemingly a student in the 4th-year class of  one “Professeur M. Felix”), Cahier de Théorie 4e Année 3e offers a rich window into […]

Felix Vallotton’s Reinvention of the Woodcut

Thumbnail image for Felix Vallotton’s Reinvention of the Woodcut February 1, 2011

Meier-Graefe, Julius. Felix Vallotton, Biographie: Des Kuenstlers nebst dem Wichtigsten teil seines Bisher Publicierten Werkes & Einer Anzahl Unedierter Originalplatten; De Cet Artiste avec la Partie la Plus Importante de son Oeuvre Editee et Differentes Gravures Originales & Nouvelles. Berlin/Paris (J. A. Stargardt/Edmond Sagot) n.d. (ca. 1898).  Freitag 12821. [41835] Painter, playwright, critic and man […]

30 Year in Face 800 Year in Heart: In Memoriam Walasse Ting.

My Shit and My Love December 20, 2010

Brussels. Galerie Smith. My Shit and My Love: Ting. 1961. Signed by Ting on inside front cover; limited to 1099 copies. $250 [46359] Walasse Ting died at the age of 80 on May 17, 2010. He is remembered as a mischievous bon vivant, prodigious womanizer and prolific artist who recognized few boundaries between his practice in […]

“Everything has its Limit! Even Miniskirts…” Aerial propaganda leaflets on the inner German border, 1965-1969.

http://farm6.static.flickr.com/5167/5246880477_16618b2992_t.jpg December 13, 2010

Unique Dossier.- “Propaganda; British Frontier Service / 511.  Vol. II: Opened 30-2-65, Closed 18 Jun 69.” [46337] In the mid 1960s, a heated barrage of artillery over the inner German border (separating the Soviet and Western occupation zones) delivered neither explosives nor shrapnel, but aerial propaganda leaflets. This was, after all, the cold war, and […]

Damage: An Inventory, “the magazine that’s not for everybody.”

Damage: An Inventory December 7, 2010

A pronounced regionalism prevailed in the American underground music scene of the late 1970s and early 1980s. In California, the micro-climates of Los Angeles and San Francisco each nurtured a distinctive local take on punk rock. Local fanzines reflected this, with publications like Search & Destroy celebrating the eclecticism of the Bay Area while Slash Magazine spoke to the angular defiance of Melrose and Silverlake. Brad Lapin’s Damage: An Inventory represented itself as a partisan of both communities, and furthermore, sought to connect West Coast punk to developments in Tokyo, Paris, London and elsewhere.

F.A. Bernett Books @ The NY Art Book Fair, Nov. 5—7, 2010

November 2, 2010

Once again this autumn, The NY Art Book Fair at MoMA PS1 promises to be among the most energizing and eclectic book-related conferences of the calendar year. Now in its fifth incarnation, the program attracts art book publishers, print makers, librarians, book dealers and collectors from around the world for 4 days of special exhibits […]