The Crimean War broke out on October 16, 1853 and lasted until early 1856, and was fought initially over the rights of Christian minorities in the Holy Land, which was under the domain of the Ottoman Empire. On one side was the Ottoman Empire allied with Britain, Sardinia, and France, who favored the rights of Roman Catholics. On the other (losing) side was Russia, which favored the Eastern Orthodox Church. While the churches worked out their differences and came to a mutually satisfying agreement, Nicholas I of Russia and Emperor Napoleon III of France both refused to budge. Nicholas issued an ultimatum that the Orthodox subjects of the Empire be placed under his protection. Britain attempted to mediate and managed to arrange a compromise that Nicholas agreed to. However, when the Empire demanded additional changes, Nicholas refused and prepared for war. With the support of France and Britain, the Ottomans declared war on Russia in October 1853.

The war began in the Balkans but battles were carried out at the Black Sea, the Baltic Sea, the Caucasus, the White Sea, and in the North Pacific. Eventually neutral countries began to join the alliance. Isolated and facing invasion from the west if the war went on, Russia sued for peace in March 1856. The war ended with the Treaty of Paris, signed on March 30. As a result, the Black Sea became neutral territory with warships and fortifications completely prohibited, which was a major setback to Russian influence in the region. The Ottoman vassal states of Wallachia and Moldavia became largely independent with Christians granted official equality, and the Orthodox Church regained control of the Christian churches in dispute.

The Battle of Kil-Bouroun (Kinburn) was one of many battles fought during the three years of the Crimean War.  Staged at the tip of the peninsula of Kinburn on the south bank of the Dnieper River near the Crimea, it was the site of an attack by the French and British navies on the Russian outpost there during the final phase of the war. On October 17, 1855, France and Britain attacked the outpost with a fleet of ironclad ships, destroying the fortifications within mere hours and suffering almost no damage. This decisive battle helped to signify the decline of the traditional wooden warship.

F.A. Bernett Books currently has in its inventory a scarce and fascinating portfolio of lithographs commemorating this wintry naval battle, with large and detailed depictions of the ships and the ruined fortifications.

Paris, (François-Edmond). Nos Souvenirs de Kil-Bouroun Pendant l’Hiver Passé Dans le Liman du Dnieper, 1855-1856. A beautiful and rare album comprising title page, a map showing the location of the naval battle of Kil-Bouroun (Kinburn), and 15 chromolithographic plates depicting mostly maritime scenes after the battle along the ice-bound Dnieper River, including inside the fort, disembarking onto the ice, and ruined fortifications, lithographed and colored by Eugene Ciceri and Adolphe Bayot, the ships drawn by Antoine Léon Morel-Fatio, after drawings by Paris. Some details appear to be hand-colored. Some scattered foxing, small stain to inside front cover, a few small tears along binding, spine very slightly shaken. Folio. Full leather, raised spine. Paris (Arthus-Bertrand/Becquet Freres) n.d. (circa 1856). Very scarce; as of October 2017, WorldCat locates only two holdings in North America of this suite. 48752

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The history of tarot is long, and probably surprising to some. The earliest known surviving full deck dates to the early 15th century in Italy. Painted by Bonifacio Bembo for the Duke of Milan, it is known as the Visconti-Sforza deck, after the Duke’s family name. In Renaissance Europe, these decks of cards, then known as trionfi, tarocchi, and tarock, were used to play games such as tarocchini in Italy and jeu de tarot in France, trick-taking card games in the same vein as Whist or bridge. In Italy, the aristocracy would also engage in a whimsical game known as “tarocchi appropriati”, in which players were dealt cards from the deck and used the imagery and themes to compose poetry. It wasn’t until the 18th century that the cards began to be used as we think of them today, for divination and cartomancy.

A tarot deck is comprised of 78 cards total. Similar to standard playing cards, there is a set of four suits which vary by region, but often are represented by wands/batons, cups, coins/pentacles, and swords. Each suit is comprised of 14 cards, ten cards numbered one or ace to ten, and four face cards: King, Queen, Knight, and Jack or Knave. These 56 cards are known as the minor arcana. The other 22 cards are known as the major arcana and consist of a group of 21 Trump cards and a single card known as the Fool. Although there are wide varieties in tarot decks, stylistically and regionally, some of the more archetypal arcana cards include the Tower, the Devil, the Magician, Death, the Wheel of Fortune, the Chariot, Justice/Judgment, the Lovers, the Moon, the Sun, and the World. Some tarot decks contain only these 22 major arcana cards, eliminating the four suits.

F.A. Bernett Books currently has in its inventory a collection of over 200 assorted tarot decks, comprising an impressive overview of the history and study of tarot. Most of the decks date to the second half of the 20th century and are primarily European in origin. This collection includes reproductions of important historical decks, decks showcasing the work of modern artists and more whimsical decks centered around fantastical themes. Highlighted below are several of the numerous interesting and eye-catching decks from this collection.

 

  

 

 

 

 

 

 

 

 

 

 

Reproduction of the Tarocco di Marsiglia (Svizzera 1804). No. 555 of a limited edition of 2000. Milan (Edizioni Il Meneghello/Cavallini & Co.) n.d.

 

 

 

 

 

 

 

 

 

 

 

Il Tarocco di Amerigo Folchi. Artwork by Amerigo Folchi. No. 2528 of a limited edition of 3000. Bologna (Italcards) 1991.

 

 

 

 

 

 

 

 

 

 

 

 

Le Tarot de la Réa. Artwork by Alain Bocher. St-Brieuc, Franc (Les Presses Bretonnes) 1982.

 

 

 

 

 

 

 

 

 

 

 

 

Tarocco Fantastico. Artwork by Franco Bruna. No. 160 of a limited edition of 1200, with signed and hand-numbered title card. Turin (Viassone) 1982.

 

 

 

 

 

 

 

 

 

 

Zigeuner Tarot. Artwork by Walter Wegmüller. Basel (Sphinx Verlag/AGMüller) 1982.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Grand Tarot Belline. No. 4366. Paris (J.M. Simon/Grimaud) 1966.

 

 

 

 

 

 

 

 

 

 

 

 

XXII Arcani – I Tarocchi di Andrea Picini. Artwork by Andrea Picini. No. 123 of a limited edition of 1000, with signed and hand-numbered title card. N.p. (Edizioni Luca) 1977.

 

 

Extensive Collection of Tarot Cards. A large collection of over 200 decks of tarot cards, most dating to the second half of the 20th century with a few earlier and later outlying examples, from publishers in Austria, Belgium, France, Germany, Italy, Japan, Spain, Switzerland, and the United States, including reproductions of antique tarot decks, modern decks showcasing the work of particular artists, and decks providing a more whimsical approach to the arcana. Some decks unopened, a few decks incomplete, the rest all in excellent condition, with little to no signs of wear. Various sizes. Various cities. 1930s-2000s. Together with an assortment of over 100 catalogues and books related to the tarot, some pertaining to specific decks. (48661)

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The late 19th and early 20th centuries were periods of major change and important historical events throughout the United States, as well as key developments in photography technology. Life could be documented in a way that was never possible before, both physically and economically. Photography allowed for more precise archiving than either lithography or engraving. Roger Fenton and Philip Henry Delamotte were among the first photographers to demonstrate the immense potential photography carried for chronicling important events with their images of the Crimean War and the construction of the Crystal Palace in London for the Great Exhibition of 1851.

Daguerreotypes were introduced in 1839 as the first complete practical photographic process, and remained the most common commercial process until the late 1850s, when the collodion process took over in popularity. This new process produced glass negatives which could be replicated multiple times, unlike the daguerreotype which resulted in a single, unique image. It was also relatively inexpensive compared to daguerreotypes, as the daguerreotype process required expensive polishing equipment and costly silver-plated copper for producing the images. Often printed on albumen paper, the collodion print took two forms, wet and dry, the former which necessitated a darkroom and was more popular with portrait photographers, the latter which required much longer exposure time and therefore was more often limited to landscape photography. Ambrotypes and tintypes are examples of photographs produced via the collodion process.

During the 1880s, gelatin dry plates largely replaced the collodion process. Utilizing glass plates with a dry emulsion of silver suspended in gelatin was more convenient and could also make more sensitive images. The first dry plate factory, the Eastman Film and Dry Plate Company, was established in 1879, a reflection of the popularity of the process. In 1884 Eastman developed dry gel on paper, or film, replacing the photographic plate and with it the necessity of carting around boxes of glass plates and chemicals. And in July 1888 Eastman’s first Kodak camera was put on the market, allowing anyone to take a photograph and let someone else do the processing. Photography went even more mass-market in 1901 with the introduction of the Kodak Brownie camera.

F.A. Bernett currently has for sale several collections of interesting and important early American photography which correspond to and reflect these important changes and developments in the photographic process and the increasing commercial availability of photography equipment.

 

 

 

 

 

 

Collection of 19 Vintage Cabinet Card Views of the 1889 Johnstown Flood. Group of 19 cabinet cards by a local photographer, R.Y. Nice of Williamsport, Pennsylvania, depicting the aftermath of the famous flood and subsequent damage in the town of Williamsport, including Nice’s studio and other local commercial buildings partially underwater, townspeople navigating the streets in rowboats, birds-eye views, and scenes of destruction and debris, some with captions incised into the negatives. Cabinet cards with mounted albumen prints measuring 4″ x 6 1/4″, numbered 2 through 20 in the lower left corners, some with Nice’s name printed on the mount. Williamsport, Pennsylvania 1889.

The Johnstown Flood was the worst flood to hit the United States in the 19th century, causing the deaths of 2,209 people and the destruction of 1,600 homes. It was the largest loss of civilian life the United States had seen up to that point. The flood was one of the first major disaster relief efforts to be handled by the newly-founded American Red Cross, under the leadership of Clara Barton. (48214)

 

 

 

 

 

 

 

Mather’s Historical Oil Region Views of Western Pennsylvania. Part I. Mather’s Historical Photographs. Mather, John A. 14 leaves, 2 pages of text, 1 engraving, and 11 original gelatin linen-backed photographs regarding the drilling of the Drake Well by Col. Edwin L. Drake in 1859, the first oil well ever drilled in the United States, scenes and figures depicted in the photographs include a portrait of Edwin Drake, Drake at the well, oil traders, and the surrounding areas of “Oil Creek” including Foster Farm, Funkville, John Wait Farm, and John Benninghoff Run. Spine slightly shaken. Oblong 4to. Black cloth boards. Titusville, Pennsylvania (John A. Mather) 1895. Ink inscription on front endpaper “Miss Margaret Bond from Mrs E. Mather, Christmas 1905”

Edwin Drake was hired by the Seneca Oil Company in 1858 to investigate suspected oil deposits in the Titusville region of Pennsylvania. Prior to this, petroleum oil was known of, but there was not yet a market for it. Drake began drilling, with pipe and steam, but progress was slow and the Seneca Oil Company had pulled their backing. Using his own money and that of friends, Drake persevered and on the morning of August 28th, after months of drilling at the rate of approximately three feet per day, Drake’s driller looked into the hole and saw crude oil. The Drake Well prompted the first big investments in the petroleum industry and additional drilling in the area that became known as Oil Creek, ushering in the Pennsylvania oil rush.

John A. Mather was the pioneer photographer of Pennsylvania’s Oil Region. Hearing of the exploding activity in the Oil Creek Valley, Mather and his wife moved to Titusville in 1860 where he began working with a series of makeshift traveling darkrooms/studios. He transported his equipment through the oil fields by ox-pulled wagon or flatboat, and sold his photographs to a local audience. During his years photographing the Pennsylvania oil rush, he amassed a collection of over 20,000 glass plate negatives. However, due to damage from floods and fires, only 5,000 have survived to this day, preserved in the collections of the Drake Well Museum. Scarce; as of February 2017, WorldCat locates only three holdings in North America. (48619)

 

 

 

 

 

 

 

Photograph Album Documenting the Aftermath of the 1906 San Francisco Earthquake. Collection of approximately 99 original black-and-white photographs showing the destruction caused by the earthquake and resulting fires, and the subsequent clean-up and reconstruction efforts, most pages with hand-written captions, with specific sites depicted including the Ferry Building, Market Street, burning buildings, refugee camps, City Hall, the Hearst Building, the Palace Hotel, gutted churches, rubble, and relocated shops, some photos with signature for R.J. Waters & Co. and caption within the plate, label affixed to inside front cover for Waters Company, San Francisco. Photos overall in very good condition. Various sizes to 8″ x 10″. Photos affixed to album leaves with photo corners and small dots of glue, many photos already loose, all pages detached from album. Oblong 4to. Cloth album. San Francisco (R.J. Waters & Co.) circa 1906.

The 1906 earthquake struck the coast of Northern California at 5:12 am on April 18th, with a magnitude of 7.8. Over 80% of the city of San Francisco was destroyed as a result of the quake and the subsequent fires, with 30 different fires destroying 25,000 buildings across 490 city blocks within three days. An estimated 3,000 people died. Initially only 375 deaths were reported, due in part to hundreds of ignored and unreported fatalities in Chinatown. To this day, it is still the deadliest natural disaster in California’s history. Up to 300,000 people were also left homeless out of a total population of 410,000, with some refugee camps remaining open for over two years. (48636)

  

 

 

 

 

 

Collection of Original Photographs of Alaska. Album comprising approximately 500 original photographs of various formats, the majority taken in and around the copper mining town of Kennecott, Alaska, during its heyday in the 1920s, including the Bonanza, Jumbo, and Erie mines, nearby towns such as Cordova, McCarthy, and Ruby, hunting and skiing trips, dogsledding, Eskimos, railroads, the Childs, Columbia, and Kennicott glaciers, and steamships, with 21 most likely unpublished photographs captioned “Mt Logan Alaska 1925 – June / Guided by Andy Taylor, Famous Alaskan Guide” being of particular interest, depicting the first successful expedition to the summit of Mt. Logan in the Yukon Territory, Canada’s highest peak, with photographs showing the team setting up camp, loading their sleds, and trekking, together with several pieces of ephemera including a telegram, a Pacific Line steamship catalog, and a newspaper clipping. Original album disbound and trimmed to fit, with original album pages and hand-written captions intact, some original photo corners replaced. Small folio. Housed in two contemporary albums. N.p. (Kennecott, Alaska), circa 1920s.

A geologist first approached the Alpine Club of Canada in 1922 with the idea of sending a team to summit Mt. Logan. A team of Canadian, British, and American climbers was assembled, and their trip was delayed from 1924 to 1925 due to delays in funding and preparation. They began their trip in early May, journeying from the Pacific coast by train, and then traversed the remaining 120 miles on foot to the Logan Glacier, where they established base camp. On June 23, 1925, the team of Albert H. MacCarthy, H.F. Lambart, Allen Carpé, W.W. Foster, Norman H. Read, and Andy Taylor became the first people to stand atop the summit of Mt. Logan.

The Kennecott Mines were discovered around the turn of the century, and confirmed as the richest known concentration of copper in the world at the time in 1901. Five different mines turned out incredible amounts of copper, at their peak generating $32.4 million worth of ore in a single year. The highest grades of ore were largely depleted by the early 1930s, with the mines closing gradually. The last train left Kennecott on November 10, 1938, leaving it a ghost town. In the 1980’s, the town became a tourist destination, and was designated a National Historic Landmark in 1986.  (48621)

 

 

 

 

 

 

 

 

 

 

A Picture Journey to Farms in Idaho, Washington, Oregon. Spokane, Washington.- Pacific Northwest Farm Trio. 62 pp. promotional photo album containing 72 mounted silver gelatin photographs of farms, orchards, crops, and related agricultural activities from farms throughout the Pacific Northwest, each page with a typed descriptive caption below the photo, some of the photographs signed within the negative, known photographers include Asahel Curtis, Bradbury Williams, and Arthur Prentiss. One of the photographs coming loose, several pages with small tears to margins, some minor warping and toning of pages. Oblong 8vo. Leather. Some bowing to covers, rubbing and small losses along extremities, small splits at spine. Spokane, Washington (Pacific Northwest Farm Trio General Offices) n.d. (circa 1930).

The Pacific Northwest Farm Trio comprised the publications The Washington Farmer, The Idaho Farmer, and The Oregon Farmer. The views depicted in this album include apple farms in Washington, the Hood River Valley, the Willamette Valley, the Yakima Valley, tractors and farm machinery, harvesting and packing apples, planting wheat, cows on a dairy farm, sheep, chickens, turkeys, Arrowrock Dam, irrigation, vegetables, strawberry plants, and orchards. Very scarce; as of March 2017, this title is not listed through WorldCat. (48654)

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Breaking Gender Barriers: Women and the WPA Milwaukee Handicraft Project

April 27, 2017

The Works Progress Administration (WPA) was the largest and most ambitious agency created by the United States government as part of the New Deal, established under President Franklin Delano Roosevelt to help combat the Great Depression, focusing on the “3 Rs” of Relief, Recovery, and Reform: relief for the poor and unemployed, recovery of the […]

Printer’s Archive for the Official Program of the Democratic National Convention of 1936.

June 30, 2016

A complete archive of the original artwork, photographs, advertisements, and fully edited and corrected typewritten essays which comprise the official guide to the 1936 Democratic National Convention, held in Philadelphia: including 41 original pen and ink drawings by Lyle Justis used as vignettes and illustrations throughout the text; over 200 original photographs, most with identification […]

A Collection of Leftist Political Posters, 1960-2010

April 15, 2016

Cuba, OSPAAAL (Organization of Solidarity with the People of Asia, Africa, and Latin America), 1971 and 1972  Extensive and Culturally Significant Archive of Approximately 500 Political Posters. An important, unique, and carefully curated collection of political posters, dated from approximately the 1960s to the 2000s, from a wide variety of leftist and militant groups in […]

Le Bal des Quat’z’ Arts: Revelry and Debauchery in Turn of the Century Paris

September 8, 2015

“It is a riot, a revival of paganism…It is also, in its way, a hymn to beauty, a living explosion of the senses and of the emotions.” – E. Berry Wall, Neither Past Nor Puritan In 1892, Henri Guillaume, Professor of Architecture at the École nationale supérieure des Beaux-Arts in Paris, proposed that the students […]

The École de Montmartre in 1920’s Paris

August 17, 2015

              Paris in the late 19th and early 20th century, especially during the periods known as the Belle Époque and les Années Folles, was a hotbed of intellectual and artistic life. During the former, Montmartre was abuzz with cafés, cabarets, and artists’ studios, with a large number of painters […]

Charlie Hebdo’s Ancestors

January 23, 2015

  Journalism in France has a rich tradition of political satire and caricature, dating back many hundreds of years and gaining footholds at many crucial moments in France’s history. Popular in the 17th century, Molière and Jean de la Fontaine earned their fame mocking the upper echelons of society through comic plays or fables, often […]

Anni di piombo. The Lead Years, 1968-1982.

Thumbnail image for Anni di piombo. The Lead Years, 1968-1982. August 11, 2014

“Anni di piombo” (“The Lead Years”) has little nostalgic resonance in the US. Unlike “Mai ‘68”, which instantly evokes exhilarating scenes of French student occupations, demonstrations, police brutality, wildcat strikes, riots, and barricades. (And perhaps some fervent threesomes if you made it through Bertolucci’s The Dreamers.) While Mai ‘68 appears retrospectively as both the unfulfilled […]

Under the Matzos Tree.

May 9, 2014

52 Examples of Jewish-American Sheet Music from the Early 20th Century. A collection of English-language sheet music, ca. 4-8 pp. each, in orig. color illus. wrrps., most published in New York, Boston, Chicago, Cleveland, or Los Angeles, ca. 1900-1920. (47699) “Under the Matzo Tree: A Ghetto Love Song,” “Yiddle on your Fiddle Play Some Rag […]

Contest of Realism. Novyi Lef.

Thumbnail image for Contest of Realism. Novyi Lef. March 11, 2014

Novyi Lef. Zhurnal Levogo Fronta Iskusstv. Year 1, No. 1 (January 1927) through Year 2, No. 12 (December 1928) (all published). 24 issues, published in 22 vols. as issued, comprising a complete first edition of the Soviet avant-garde monthly designed by Alexandr Rodchenko under the editorial direction of Vladimir Mayakovsky, followed by Sergei Tret’iakov, each […]

This Invitation Cannot Be Sold or Transferred.

Thumbnail image for This Invitation Cannot Be Sold or Transferred. January 21, 2014

Collection of Invitations, Programs, Flyers, Posters, Broadsides and other Ephemeral Items pertaining to the Palladium nightclub, June 1985 – May 1987. ca. 170 items ranging from single sheet to folding invitations, pop ups, and physical objects, executed in print processes including letterpress, stencil, silk screen, and off-set lithography, most in vibrant color. Items ranging in […]

Soucoupes Volantes Viennent d’Autres Mondes.

Thumbnail image for Soucoupes Volantes Viennent d’Autres Mondes. August 15, 2013

Collection of 20 titles, ca. 50-300 pp. each. Paris / Geneva / Moscow, 1897-1973, offered with Inforespace. Cosmologie Phénomènes Spatiaux Primhistoire. Revue Bimestrielle. Nos. 1 (1972) – 67, 69 – 71, 73 & 75, incl. the “hors serie” December annuals nos. 1 (1977) – 8 (1984). Altogether 80 issues comprising a 17-year head-of-series run of […]

“The Bankers Shall not Make the Peace” Labor Day Sketch Book 1947

Thumbnail image for “The Bankers Shall not Make the Peace”  <i>Labor Day Sketch Book 1947</i> June 10, 2013

Sally, Ted (drawings). Labor Day Sketch Book 1947. Los Angeles CIO Council. Unpaginated (ca. 32 pp.) presentation of proposed designs, drawn by Sally, for floats, banners, costumes, and other accoutrements for a union-oriented progressive Labor Day parade. Oblong large 4to. Orig. printed wrpps. Los Angeles (CIO Council) 1947. (47538) In the spring of 1947, The […]

Weltkrieg: German Artists Respond to the Great War.

Thumbnail image for Weltkrieg: German Artists Respond to the Great War. February 15, 2013

Collection of 14 World War I Print Portfolios by German Artists.  Including works by René Beeh, Emma Frenberg, Karl Bober, Bruno Kraustopf, Ursla Stolte, Paul Hartmann, Elsa Weigandt, Erich Dietrich, Hilde Schindler, Georg Mathen, Editha Quaas, Joshua Bampp, Paul Winkler, Josef Eberz, Fritz Gärtner, Erich Gruner, Willi Geiger, Carl Christoph Hartig, Luigi Kasimir, Hermann Struck, […]

Boston Punk from the Female Fan’s Perspective: Loretta Baretta and Carmen Monoxide’s Miscarriage Magazine, 1977-1978.

Thumbnail image for Boston Punk from the Female Fan’s Perspective: Loretta Baretta and Carmen Monoxide’s <i>Miscarriage</i> Magazine, 1977-1978. November 14, 2012

Miscarriage. The Abortive Attempt.  Nos. 13 (1977) – 14; 16 – 19; 20; 22 – 30; 30 (bis) – 36 (March 1978) (dated per the postal cancellation). [Title and subtitle vary.] Collection of 23 weekly issues (ca. 2-6 leaves each). Boston / Jamaica Plain, MA (10 Priesing Street) 1977-1978. (47328) Like most cities in the […]

Dreaming in Dirigibles: The Airship Postcard Albums of Lord Ventry.

Thumbnail image for Dreaming in Dirigibles: The Airship Postcard Albums of Lord Ventry. July 26, 2012

Collection of 548 postcard prints and original photographs depicting airships, dirigibles and zeppelins, ca. 1890 to 1960. Most images 3 x 5 in. or 4 x 6 in., housed in period 4to and tall 4to boards albums, one with spine partially detached.  N.p (United Kingdom?), N.d. (ca. 1890 to 1960).  (47267) The golden age of […]

Conjuring Pan: Julius Meier-Graefe’s darkly beautiful paean to the new currents of art in Europe, 1895-1899.

Pan. Cover detail. March 22, 2012

Pan.  Years I-V (all published). Edited by Julius Meier-Graefe and Otto Julius Bierbaum.  A complete run of all five years, bound in 21 parts as issued  (altogether 347, 351, 266, 267, 279 pp.)  Sm. folio.  Orig. wrpps., a few chips and tears at edges, some covers professionally repaired.  Berlin (Genossenschaft Pan) 1895-1899.  (45601) In the […]

The most influential graphic arts blog of late-1920s Tokyo: Gendai Shogyo Bijutsu Zenshu.

Thumbnail image for The most influential graphic arts blog of late-1920s Tokyo: <i>Gendai Shogyo Bijutsu Zenshu.</i> October 3, 2011

Kitazawa Yoshio, Hamada Masuji, Wantanabe Soshu, Tatsuke Yoichiro, et al. Gendai Shogyo Bijutsu Zenshu.  (“The Complete Commercial Artist”). 24-volume-illustrated series (each vol. approx. 100-150 pp. including plates).  4to.  Wrpps.  Tokyo (Ars) 1927-1930.  (46209) Over the past five years or so, a loose cadre of visual data miners at blogs including BibliOdyssey, 50 Watts, but does […]